HONG KONG—For six days, umbrellas, yellow ribbons, cartoon takedowns of politicians and song lyrics have been festooned across a city whose streets have been cleared of traffic to make way for a new wave of political protest.
Flyovers are plastered with hundreds of multicolored notes voicing encouragement; posters of the city’s leader characterized as a zombie or vampire hang from bridges; lampposts, footbridges and signs are tied with yellow ribbon—one of the most widespread symbols of the protest movement.
Sympathizers at home and abroad have changed their social media profile pictures to an image of the ribbon, also used by other movements as a sign representing solidarity and freedom.
Umbrella Revolution
In a city that veers between scorching sunshine and torrential rain in summer and early autumn, umbrellas are a Hong Kong essential, which have now transcended the mundane after protesters used them to protect themselves from pepper spray. The movement earned a new name: the Umbrella Revolution.
Rows of umbrellas pinned with ribbons line the roads, while some have been turned into sculptures. A tree of umbrellas was defiantly erected just outside the central government offices.
Open-air art galleries
Surfaces in the city have been transformed into an opportunity for self-expression with many of the protest sites turning themselves into spontaneous open-air art galleries.
Roads have become a canvas for chalk drawings and slogans, tram stops that line the shopping and business districts hung with sketches and paintings, covering the promotional billboards.
Cartoons of Hong Kong’s vilified leader Leung Chun-ying as a devil and a vampire and one of the leader with a baby’s dummy and the slogan “Good baby,” a reference to Leung being what many consider Beijing’s stooge have also appeared.
The Umbrella Revolution in Hong Kong has also inspired an outburst of creativity by like-minded artists around the world with a number of artistic renditions of the protests trending on social media sites.
Music has also played a major part in uniting protesters, with a soundtrack of two or three key protest songs resonating among the crowds.
Rallying anthem
Hanging from one central footbridge is a yellow banner with words from John Lennon’s “Imagine,” reading “Some may say I’m a dreamer, but I’m not the only one.”
But it is ’80s ballad “Hoi Fut Tin Hung” (Under a Vast Sky) by Hong Kong band Beyond that has become the most popular rallying anthem of the protesters and the grave of its singer, Wong Ka Kui, a pilgrimage site.
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