Palace, UP honor ‘father of modern PH sculpture’ | Inquirer News

Palace, UP honor ‘father of modern PH sculpture’

DEATH MASK Napoleon Abueva’s image of fallen opposition leader Benigno “Ninoy” Aquino Jr. – LEO M. SABANGAN II

Malacañang on Friday led the nation in mourning the death of National Artist Napoleon Abueva and paid tribute to the achievements of the man hailed as the “father of modern Philippine sculpture.”

Presidential spokesperson Harry Roque extended the Palace’s deepest condolences to Abueva’s family and friends. “We join the entire nation in mourning the passing of an exemplary artist, known as the ‘Father of Modern Philippine Sculpture,’” he said in a statement.

Article continues after this advertisement

“Mr. Abueva’s unparalleled contributions in the realm of arts will forever be etched in the hearts and minds of every Filipino,” Roque said.

FEATURED STORIES

He went on to list Abueva’s achievements, which included being the youngest Filipino to become a National Artist at the age of 46.

Abueva, he said, shaped the local sculpture scene by utilizing almost all kinds of materials indigenous or native to the Philippines, paving the way “for the recognition of authentic Filipino talent in the global art scene, with his works installed in different museums both here and abroad.”

Article continues after this advertisement

“He will forever be honored as a renowned virtuoso whom future generations of Filipino artists will look up to. We pray for the repose of his soul,” he said.

Article continues after this advertisement

Abueva’s works have been exhibited in museums here and abroad. One of them, “The Sculpture,” was installed at the UN headquarters in New York City, according to the National Commission for Culture and the Arts.

Article continues after this advertisement

UP’s pride

The University of the Philippines (UP) also expressed its sadness over the passing of Abueva, its alumnus.

Article continues after this advertisement

Dr. Jose Dalisay Jr., the university’s vice president for public affairs, cited Abueva as “a towering figure in Philippine sculpture and mentor to generations of accomplished artists.”

“While his artistic legacy will endure, Prof. Abueva himself will be deeply missed,” Dalisay said.

It was Abueva who created the replicas of the Oblation for UP Los Baños in Laguna province; UP Visayas in Miagao, Iloilo province; and UP Visayas in Tacloban City, Leyte province.

Abueva also served as dean of the College of Fine Arts in UP Diliman from 1977 to 1985.

Some of his greatest public works can be seen inside the university’s flagship campus in Diliman, Quezon City. These include “UP Gateway” (1967) along University Avenue and “The Nine Muses of the Arts” (1994) in front of the then Faculty Center.

Abueva was also the artist behind “Magdangal,” which was inaugurated in front of the College of Arts and Letters New Building in 2008. The female statue has been dubbed by the sculptor himself as the “Oblation’s companion.”

Your subscription could not be saved. Please try again.
Your subscription has been successful.

Subscribe to our daily newsletter

By providing an email address. I agree to the Terms of Use and acknowledge that I have read the Privacy Policy.

Dalisay said the university might plan to hold a ceremony to recognize the National Artist and his life and works next week.

TAGS:

No tags found for this post.
Your subscription could not be saved. Please try again.
Your subscription has been successful.

Subscribe to our newsletter!

By providing an email address. I agree to the Terms of Use and acknowledge that I have read the Privacy Policy.

© Copyright 1997-2024 INQUIRER.net | All Rights Reserved

This is an information message

We use cookies to enhance your experience. By continuing, you agree to our use of cookies. Learn more here.