Artwork on Napoleon’s horse kicks up a storm | Inquirer News

Artwork on Napoleon’s horse kicks up a storm

/ 04:52 AM May 10, 2021

‘ANYTHING BUT DISRESPECTFUL’ This photograph taken on May 7 shows a creation titled “Marengo,” a 3D skeleton by French artist Pascal Convert of Napoleon’s horse hanging over his tomb. —AFP

PARIS — A reproduction of the skeleton of Napoleon’s favorite horse Marengo has been hung over the French emperor’s tomb in this city, to the outrage of present-day fans as they commemorate 200 years since his death.

The artwork dubbed “Memento Marengo” by artist Pascal Convert immortalizes Napoleon’s loyal steed, who bore the general through several battles before being captured by British troops at Waterloo in 1815.

ADVERTISEMENT

The famous warhorse was named after one of Napoleon’s exploits, the Battle of Marengo. He was brought to France from Egypt following the Battle of Abukir in 1799 as a 6-year-old.

FEATURED STORIES

Convert based his work on ancient traditions of horses accompanying their masters to the grave, copying the skeleton from the thoroughbred’s remains kept in London’s National Army Museum.

“I know some people might not understand this work, but it’s anything but disrespectful,” said Eric de Chassey, director of France’s National Art History Institute, which has organized a series of modern art pieces displayed at the Invalides museum complex where Napoleon is buried.

‘Grotesque and shocking’

The horse skeleton “paradoxically allows a kind of rehumanization of Napoleon,” De Chassey explained.

“Death is the reality of war. Since ancient times, we’ve had this image of warriors ascending to heaven on horseback.”

Napoleon fans blasted the piece, with historian Pierre Branda of the Fondation Napoleon calling it “grotesque and shocking” in an opinion piece for the Figaro newspaper.

Fondation Napoleon chief Thierry Lentz tweeted that he “couldn’t believe” the artwork had been installed above his icon’s tomb.

ADVERTISEMENT

Other artists with pieces displayed at the Invalides have taken more direct aim at the emperor, with China’s Yan Pei-Ming painting the moment Napoleon famously crowned himself, while Damien Deroubaix showed him as a black slave in chains.

Your subscription could not be saved. Please try again.
Your subscription has been successful.

Subscribe to our daily newsletter

By providing an email address. I agree to the Terms of Use and acknowledge that I have read the Privacy Policy.

TAGS:

© Copyright 1997-2024 INQUIRER.net | All Rights Reserved

We use cookies to ensure you get the best experience on our website. By continuing, you are agreeing to our use of cookies. To find out more, please click this link.