Cartoonists unite to thank COVID-19 frontliners
ART OF GRATITUDE | An image released by King Features shows a clip from the comic strip “Baby Blues” by Rick Kirkman and Jerry Scott. More than 70 comic strips and panels will each have symbols hidden in their artwork to honor workers on the front lines of the coronavirus pandemic. —AP
NEW YORK—The funny papers this Sunday will have more than laughs.
More than 70 comic strips and panels — ranging from Garry Trudeau’s “Doonesbury” to Jim Toomey’s “Sherman’s Lagoon” and Jeff Keane’s “Family Circus” — will each have six symbols hidden in the artwork to honor workers on the frontlines of the coronavirus pandemic.
Look closely and you’ll find a mask for medical workers and caregivers, a steering wheel for delivery workers, a shopping cart for grocery workers, an apple for teachers, a fork for food service workers and a microscope for medical researchers.
In “Sherman’s Lagoon,” the six items are hidden in the ocean’s reef. In “Blondie,” they appear on the computer screen of over-worked Dagwood Bumstead. In “Zits,” they hide in Jeremy Duncan’s messy bedroom.
The initiative was thought up by “Baby Blues” cocartoonist Rick Kirkman, who wanted to show his gratitude for the helpers. He consulted his colleagues, who helped shape the idea, and it just kept growing.
“Every time somebody finds or discovers one of those little symbols in the artwork, to me, I hope that evokes a little bit of gratitude that goes out into the universe,” he said.
Canceled convention
This Sunday would have marked the last day of the National Cartoonists Society’s annual convention, which was canceled. “I just felt like that was a great day to do it because we’re missing that big communal feeling, but at least we get to do something together,” Kirkman said.
The cartoonists involved represent an astonishing array of syndicated and nonsyndicated strips, including “Mallard Fillmore,” “Mutts,” “Pearls Before Swine,” “Tank McNamara,” “Baldo,” “Big Nate,” “Rose Is Rose,” “Zits” and “Stone Soup.”
All the participating comics, including additional art by webcomic creators and others, will be featured at ComicsKingdom.com and GoComics.com. All the cartoonists offer links to local or national charities in their social media feeds.
Jason Chatfield, who draws the “Ginger Meggs” strip and is president of the National Cartoonist Society, said that while cartoonists have banded together for causes before, nothing of this scale has been attempted.
“There’s nothing quite like sitting down and seeing all the comics together on one page and on a really special day where we’ve all coordinated to do something very special for a really good cause,” he said.
To each his own style
Because some strips are written and submitted weeks ahead of publication, many participating artists had to go back into already approved works to add the symbols or swap in a new strip. Kirkman credits the comic strip syndicates for rallying behind the effort and being flexible.
Kirkman left it up to the artists how to incorporate the six symbols: “I said, ‘You can hide these things and just be really devious about it. You can leave them in the open. You can use them as props. You can even build your gag around them. I don’t care as long as they’re in there.”
For some strips, the task was pretty easy. For others, it required a bit more work. How exactly was “Prince Valiant”—set in the fifth century—supposed to add a microscope, which wasn’t invented until the late 16th century?
One cartoonist, Wiley Miller, had to really scramble since his “Non Sequitur” panel set for Sunday takes place in the Pleistocene era. “I told him, ‘Well, you know, you just hide stuff in there,’” Kirkman said. “And the next day he came back and he said, ‘I did it!’”
The cartoonists are looking forward to Sunday, when a community they say can be a little introverted and isolated offers its communal artistic gratitude—and a scavenger hunt for readers.
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